The blurb for this week’s show says:
Philip Earis is a bellringer. He was asked by Cambridge University to compose a special piece to mark the University's 800th anniversary this year. His composition will be rung simultaneously on the five city-centre bell towers of Cambridge this weekend, Saturday 17th January.
… Makes it sound like he’s some dull guy who stands in a drafty bell-tower tugging a rope once a week. In fact he is pretty feisty and fascinated by the mathematics of bell-ringing. His blog is a bit disappointing on that aspect of the art, but he says he’s just “slimmed it down” so maybe he’ll reinstate some of that.
For a 23-year-old to be commissioned by Cambridge University is pretty impressive, I reckon. Typically, Purves took the piss, and had apparently accused him off-air of being a ‘nerd’. Having heard a snippet of his composition (played on hand-bells instead of the biggies) I reckon he should re-brand himself as a “performance artist” and put himself up for the Turner Prize.
Of could, Ms P probably hadn’t bothered to take any notice of what was coming up after her programme (she’s too self-important to bother). If she had paid attention, she’d have heard Julian Rhind-Tutt reading today’s installment of The Rest is Noise by Alex Ross featuring Stockhausen. Maths and experimental music influencing the Beatles – who’d have thought it, eh?
Ross’s book is annoying – only because I didn’t publish it myself 20 years ago. He’s pretty much followed the whole of my undergrad music course. AND I wrote my dissertation on how the 20th century avant-garde influenced the production of Sgt Pepper. Ouch.
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